![]() Over the series’ 10 episodes, Flanagan adopts a lingering pace that’s almost excruciatingly measured, in order to take a long, close look at the Crain family, the last residents of Hill House. But with Hill House, Flanagan embraces serial storytelling in order to slow down and deeply explore the long-term effects of trauma. Though he made his name on slow-burning indie fare like Oculus, his recent bigger-budget films, like Ouija: Origin of Evil, and his collaborations with Netflix, like last year’s Gerald’s Game, haven’t exactly been subtle. ![]() On the surface, Flanagan might seem like an unusual choice to pair with Jackson’s deft exploration of mental collapse. Vox-mark vox-mark vox-mark vox-mark vox-mark
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